Press
”The most accomplished short of the night… Bevan’s play is a joy”
Cultural Capital
interview with Lily Bevan on the Samuel French blog
“Daft and deliriously funny... Harriet’s personal voyage enables Bevan to reel out a range of perfectly executed and totally bats characters. A strong debut from an undoubted talent”
The List
“Lily Bevan is one of the finest, funniest and most original writers I know. I feel a strong kinship with her work, and with her, because of writing and performing my own shows for television and the Edinburgh festival. It’s edgy work but exciting. Pheasant Plucker comes from a brave new talent”
Emma Thompson
'A Brilliant Play - The Times 2018
Guardian best shows at the Ed Fringe '18:
https://www.theguardian.com/stage/2018/aug/10/the-best-shows-at-the-edinburgh-festival-2018
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https://theweereview.com/review/zoo/
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https://edinburghfestival.list.co.uk/article/103054-zoo
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http://www.threeweeksedinburgh.com/article/zoo-anteater-and-something-for-the-weekend
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http://www.theskinny.co.uk/festivals/edinburgh-fringe/theatre/zoo-assembly-george-square-studios
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https://www.theedinburghreporter.co.uk/2018/08/edinburgh-fringe-festival-2018-review-zoo/
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http://broadwaybaby.com/shows/zoo/737401
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https://todolist.org.uk/edinburgh-fringe-reviews-2018/amp/?__twitter_impression=true
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https://bouquetsbrickbatsreviews.com/2018/08/05/zoo/
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"Packed with ingenious parodies, ludicrous impersonations and sex"
The Times ****
"One of the funniest offerings in the West End this season…Tickets to this short, sweet, Christmas show should be a must on everybody’s Christmas shopping list this year."
The Stage ****
"A grown up Panto for the very young at heart… festive, side-splittingly funny and wonderfully uplifting — truly in the spirit of the season."
whatsonstage.com
"Those lured in by McCrystal’s work directing The Might Boosh’s early stage shows will cackle with delight"
"Pulled off with a surfeit of imagination and good humour"
Time Out
"Warm and genuinely unusual"
Music OMH
"What is particularly endearing about this piece is the evident love and care with which it has been created. It is neither too cynical, nor overtly reverential, and the company of eight actors are obviously thoroughly enjoying themselves."
The Stage
"Crisply executed, giddily inventive physicality"
Time Out